2019 revealed

Rythmn Boy

Ikon Class
Joined
Jan 18, 2016
Location
Darwin, NT
It's already mid-January, so I am surprised no one hasn't already started a thread like this. I always like to see what records people scored during the year and what they think about them. My year was a bit slow, but I got a few things I had been after for a while as well some things I hardly knew about. Some of the records I acquired are not rare at all, but I thought it were still worth saying something about them, if only to show there are still good records out there that cost a lot less than others

Australia
The Easybeats, ‘Easy’ LP. Parlophone, PMCO 7257
First LP from these Euro-Australian legends. The band had so many really good singles that it is easy to overlook material that only ever surfaced on their LPs, and there are a number of pretty good tunes here that you might miss otherwise. It is also interesting to see how the song-writing and singing duties were more spread around than came to appear normal. Everybody gets a guernsey here except bass player Dick Diamonde

The Kinetics – You’re So Good For Me/ Tomorrow Today. CBS BA 221416
Forget the A-side, ‘Tomorrow Today’ is where you want to be. Superior pop-beat

Robbie Peters – Double Trouble/ She Does Everything For Me. Festival, FK 2156
The much-comped B-side is an absolute winner. A-side is a bit of a worry though

Germany
Manuela und Drafi – Take It Easy/ Die goldene Zeit. Decca, D 19818
‘Die goldene Zeit’ (The Golden Age) is okay as far as 60s schlager goes, but it’s a bit lame (probably why it’s designated on the label for dancing the Slop – what a name for a dance!) ‘Take It Easy’ though is proper deutsche beat. Good stuff

Hong Kong
Cornel Chan, EP. BL, SBL 201
Teddy Robin & The Playboys of HK released two versions of The Knickerbockers ‘Lies’, both very good. I bought this EP for the Mandarin version of the same song. Well, it’s okay, but not very exciting. Cornel Chan was touted as The Elvis of the East. More like Pat Boone methinks

The Mystics – Send Her Back/ What Makes You Run. Diamond, D 247
The Mystic’s version of the Del Shannon song on the B-side is the attraction here for me. There’s some smooth singing by Michael Remedios, but the whole thing is a bit grittier than Del’s original. Nice

The Zoundcrackers - I Gotta Find Cupid/ I Only Came To Say Goodbye. Diamond, D 245
Pop rather than garage, but The Zoundcrackers’ version of the song made famous by Gary Lewis & The Playboys (amongst others) is rather cute

Hong Kong/The Philippines
The Fabulous Echoes – Do The Mashed Potatoes/ A Little Bit Of Soap. Diamond, D 167
Not garage and I only include this here because some later releases by the band are worthy of mention in this forum. That being said, the A-side is a pretty cool and swinging version of the Danny & The Juniors song

Indonesia
Dara Puspita, self-titled LP. Mesra, LP 6
This is the second album for these Surabaya girls. The album’s subtitle ‘Riang Ria Bersama Dara Puspita’ (Have Fun with Dara Puspita) sounds like a pretty good invitation to me. Plenty of cool songs here and great photos on the gatefold sleeve. The instrumental ‘Mabuk Laut’ (Seasick) is credited to The Ventures. Did they have a tune with that name? I can’t find it, anyway

Nada Kentjana, ‘Jaomal Kiamat’ [End of the World], LP. Bali, RBL 109
Dating from about 1962, this 10 inch LP was the third release for this band from Bandung in West Java. Band-leader Moh. Jassin’s aim was to ‘modernise’ traditional songs from the region by mixing Sundanese lyrics and vocal styles with Latin beats and rock ’n’ roll. It’s an exotic mix. Most songs here probably wouldn’t be of much interest to members of this forum, but there is one; the nonsense children’s song ‘Trang Trang Kolentrang’. There have been many pop versions of this song, but Jassin’s idea to filter it through The Champs’ ‘Tequila’ is the mark of genius

The Rollies, ‘Dari Bandong Indonesia’ LP. Olympic, TRC 80
Probably best known from the early 1970s as exponents of James Brown-style funk, The Rollies began in the teen-beat era, which might be expected of a band whose name sounds like a collision between The Rolling Stones and The Hollies. This debut album from the band displays some cool Beatles-influenced tunes and a few tougher tracks deserving of a garage tag. There are also some ballads and a couple of kronchong tunes (kronchong is an evergreen string-band popular style from Indonesia; it’s sort of jazzy). The Olympic label from Singapore released many good EPs in the 1960s, but this is one of the few LPs I know of on the label. I don’t know how The Rollies came to release this LP in Singapore, but I’ll guess they were touring there at the time.

Zaenal Combo, self-titled LP. Lokananta, ARI 129
The sleeve of this 10 inch LP features a cool photograph of band-leader Zaenal Arifin looking like an Indonesian Chuck Berry with his guitar grasped by the neck resting on his shoulder. The eight songs on the album are by a range of female singers, but the only one worth mentioning in this forum is ‘Soino’ by Saimima Bersaudara (Saimima Sisters; Corry and Rica). The song title refers to a beach in Ambon and is a fairly lively sort of dance tune, but not garage in itself. The tune’s main distinction is a middle section with guitar break reminiscent of the one to be found on The Kingsmen’s version of ‘Louie Louie’. Nothing wild, but pretty cool

Malaysia
A. Halim & De’ Fictions, EP. TNA, MEP 433
This was A. Halim and De’ Fictions’ fifth EP with TNA and they were experimenting a bit, because there are a number of styles. The first track, ‘Pemberian Mu’ (My Gift), is good Malay beat and probably the most appealing track for garage fans. ‘Bermusim’ (Seasonal) has a vague sort of Indian feel and starts and finishes with sitar-type guitar playing. ‘Semua Tahu’ (Everybody Knows) is a kronchong song, and ‘Dendang Terakhir’ (Last Song) is a slow-tempo fuzz and distorted guitar sort of thing; more prog than garage. A bit all over the place, but not a bad record

The Saints – Jo’s Monkey/ I Saw Liliane Last Night. Life, 4 017
Not garage, but mid-60s instrumentals. A bit derivative maybe, but the B-side in particular is rather lively and enjoyable. Both tracks written by Dean Heusen. Anybody know anything about him?

The Netherlands
Various Artists, ‘Beat From Europe’ LP. Philips, 88152 DY
Nothing rare, but a contemporary release of good Dutch beat and pop. Q65, The Beat Buddies, The Rob Hoeke Rhythm And Blues Group, The Jets, The Dukes, Chapter II, The Toreros and more. All but two or three tracks work for me

New Zealand
The Avengers – Love-Hate-Revenge/ Only Last Year. His Master’s Voice, HIS 320
The Avengers – Love-Hate-Revenge/ Only Last Year. Columbia, DO 8481
The A-side tune was first released by Dion’s backing group The Del Satins in 1967. A version was released by Episode Six from the UK soon after and I suspect the boys from Wellington copied them, but I reckon The Avengers’ version has the edge and was a big hit in NZ. The B-side, written by fellow Kiwi Alan Galbraith, is a semi-baroque pop-psych ballad; it grows on you. I’ve got two copies of this: His Master’s Voice from NZ and Columbia from Australia

The La De Da’s, self-titled debut LP. Zodiac, BZLP 100
Great LP, nearly every song’s a winner. Does anyone know the story with the two versions of this album? It came out first on Philips, yes? When did the Zodiac version appear?

The Philippines/Hong Kong
The Reynettes – Knock On Wood/ My Life Is a Lonely One. Parlophone, PAL 60674
The Eddie Floyd song on the A-side is what you want here and of course it’s soul rather than garage; a credible version. The recording was made in Hong Kong, but my copy of the record is The Philippines’ release.

Singapore

Naomi and The Boys, ‘The Best Of Naomi’ LP. Decca, SKL 3002
This is a fantastic album from one of Singapore’s most popular female singer-fronted bands that had two tracks on the Girls in The Garage ‘Oriental Special’ LP – ‘As Tears Go By’ and ‘I’d Like To Know’. The album features eight songs written by lead guitarist/band-leader Robert Suriya who specialised in snappy pop tunes, sometimes with a bit of a country lilt. There are also six well-chosen covers. Despite the LP’s title only a few of the songs were ever released previously (as far as I know) and those are re-recorded for the album (previously released on Philips). Unlike many of her contemporaries who got to cut records in 1960s Singapore, Naomi really knew how to sing

Sakura & The Quests, EP. Yi Hua, TER 6075
This is a pirate EP with four tracks from the Columbia LP ‘Sakura Goes Boom Boom’. The attraction for me is the title track ‘Boom Boom’, the John Lee Hooker song. Sakura’s take on the song follows The Animals’ version, although Eric Burdon didn’t think to sing it in both English and Mandarin. Sakura belts out the song in a gutsy fashion and The Quests provide a gritty fuzzed-out backing. There is another pirate EP taken from the LP with an identical sleeve (same as the album), but totally different songs

UK
The 4 Instants, ‘Discotheque’ LP. OPP (Allied), OPP 3013
Super-cool 1965 instrumental soul-beat album (there is one vocal track). Apparently a quick knock-off to cash in on the dance scene, some top-notch session musos were called in to record a few cover versions, but came out with three brilliant originals as well. All hail the great ‘Bogattini’! Re-released about ten years ago, my copy is the 1969 Australian version. Play this one at your next party

Petula Clark – Colour My World/ I’m Begging You. Pye, 7N 1718
You may laugh, but I reckon the A-side is great. And $2.00 for an EX copy in a Pye sleeve seemed like a good deal to me
 
Not much found but still happy with my year
Cold blood “Too many people” (white lbl test press)
Lemon-Lyme “Moving in the wrong direction” (no picture sleeve)
The Five D “Runnin round in circles”
The Hi-tones “small fry”
Irene Jones and the true lights “shame on you” (obscure gospel)
 
Not much found but still happy with my year

Lemon-Lyme “Moving in the wrong direction” (no picture sleeve)

It is not really a traditional picture sleeve, such as one found most often with a photo on one or both sides of the paper.
I have a glossy black & white photo that is glued directly on a 7 1/4 by 7 1/4inch mailer envelope. Song titles are printed underneath the group photo.
Probably not many of these still survive as the paper quality is frail.
 
I managed to acquire lots of cool 45s from all genres.
Most of the upper echelon garage 45s I'd like to get are now priced way above & beyond my financial capability. Also, prices for lesser grades are far too high (whether via seller asking price, or buyer price paid). I recall before the year 2000, when a few collectors decided to sell their 45s because "the market won't be there in 20 years..." You know they cringe now, seeing what beater copies sell for - as much as 10 times higher than what they sold a top grade copy for!

Nonetheless, I did mange to land three long time wants:
Moguls (Panorama) - thanks belated to Frantic, a fine, outstanding gent who goes WAY above and beyond most record sellers located worldwide. Bullet / crush proof packing, 45 shipped seemingly seconds after payment is sent!
So overjoyed to finally have a copy that exudes ZERO distortion during playback - nearly all used copies suffer from having been assaulted by lousy needles. I've had to return almost a half dozen copies in the past 30 years. All suffered from hiss or groove burn / distortion. Doncha just laff at how some record schmucks hawking a VG+ styrene 45 always say "...all copies play with distortion or noise..." yeah, yours does!
I even bought a couple that were graded mint minus by dealers (most now pollute those Facebook record sale groups) whose greed clouds reality. They were not happy having to refund and being called out on their shoddy over-grading.

Merlynn Tree (Dixietone) - Yorp! Worth every penny (lots and lots required to procure this deadly monster).

D.C. Blossoms (Shrine) - My fave release on the hallowed label. Soulful gals with harmonies that glide to the heavens.

Of course, I can't resist what I feel are bargains that were priced (or won) far below expected amounts. Too many of those to mention.
There are great (IMO) 45s out there being offered that are not DJ market driven sides.
Fine by me, I'll buy "chairfillers". No one need dance at my house.
 
Not that many in 2019. Focused on scoring M- looking/playing upgrades of some classics:
LIL' BOY BLUES - I'm Not There (Bat Wing) Thanks, vinylnut...
SCREAMING LORD SUTCH - Come Back Baby (Oriole) The loudest UK rocker of 1964?
THE LORDS OF LONDON - Stay Away (Shot) Insanely hard to find clean (or otherwise)
DANNY DELL - Froggy Went A Courtin' (World Pacific) Took 35 years to get a mint upgrade
BOBBY JAMESON - Viet Nam (Mira) Thanks, GJ...
THE TONGUES OF TRUTH - Let's Talk About Girls (Current) Mint...without the 'press bumps'
Lots of cool lesser stuff too...even one cool 'want list' 78 at last Allentown Show.
 
Not that many in 2019. Focused on scoring M- looking/playing upgrades of some classics:

SCREAMING LORD SUTCH - Come Back Baby (Oriole) The loudest UK rocker of 1964?

Featuring Jeff Beck on lead on Come Back Baby, w/ Page evidently contributing rhythm guitar.. The French EP with this track is quite interesting in that, as best I know, it features from three different recording sessions Beck, Jimmy Page & Ritchie Blackmore on lead. Not as BLASTINGLY LOUD as the 45's, though...

SL Sutch, FR EP.jpg
 
In early 2019, I scored perhaps the most valuable record in my collection:

The Best (RPC)

Side one is appropriately titled "Some of the Best," while side two is "More of the Best." Ever since I mastered the shoddy Best/Gents compilation reish LP for Dave Brown in the '90s (the Best was not taken from an audiophile source ... understatement), that elusive album has been at the top of my wish list. To this day I don't know anyone else that has it (chime in G-45 crowd if you do).

For those of you who know of this monster 12-inch, all I can say is that their recorded studio performances take no survivors. It's one of the strongest 1965-'66 garage albums and chock full of killer originals and covers. Fortunately I was able to procure a very respectable copy which wasn't cheap. It never came with a printed jacket ... just a stock blank generic maroon cover. Plus there's no real info on the label. So the band is virtually untrackable (chime in G-45 crowd if I stand corrected).

That was the highlight of my 2019. And probably the entire last decade.

Then at the end of the year I scored BOTH Howie Thayer and his Psycho Electric Happening singles on his custom vanity Rofran-related Psychedelic Sound imprint. For those of you who are unfamiliar with "Movin' Groovin' Fairy Tale" ... be forewarned. Not for the faint-at-heart ... and that's all I'll say.

So far 2020 ain't too shabby since I was finally able to check off the Spiders-Don't Blow Your Mind from my want list. FYI if you're ever in Phoenix, be sure to check out MIM (read: Music Instrument Museum) which has an excellent substantive display on the Coop focusing on their formative years.
 
In







Then at the end of the year I scored BOTH Howie Thayer and his Psycho Electric Happening singles on his custom vanity Rofran-related Psychedelic Sound imprint. For those of you who are unfamiliar with "Movin' Groovin' Fairy Tale" ... be forewarned. Not for the faint-at-heart ... and that's all I'll say.
Great record that"s been permanently lodged in my special box of weird 45s. Both sides are pretty out there.
 
Side one is appropriately titled "Some of the Best," while side two is "More of the Best." Ever since I mastered the shoddy Best/Gents compilation reish LP for Dave Brown in the '90s (the Best was not taken from an audiophile source ... understatement), that elusive album has been at the top of my wish list. To this day I don't know anyone else that has it (chime in G-45 crowd if you do).

The Gents/Best comp is blocked from Discogs so SOMEONE involved w/the original LP:s has to be woke/alive.
I have the Gents/Best comp plus a rather OK dupe of the Best LP. Since both Gents/Best LP:s have "Re-recorded from
client's furnished tape" on the labels I doubt we get to hear these in FULL glory ever.
 
The Gents/Best comp is blocked from Discogs so SOMEONE involved w/the original LP:s has to be woke/alive.
I have the Gents/Best comp plus a rather OK dupe of the Best LP. Since both Gents/Best LP:s have "Re-recorded from
client's furnished tape" on the labels I doubt we get to hear these in FULL glory ever.

The Gents/Best comp is blocked from Discogs so SOMEONE involved w/the original LP:s has to be woke/alive.
I have the Gents/Best comp plus a rather OK dupe of the Best LP. Since both Gents/Best LP:s have "Re-recorded from
client's furnished tape" on the labels I doubt we get to hear these in FULL glory ever.

Perhaps someone associated with those RPC LPs will surface and we'll get to know the real story sometime. Or at least one can hope...
 
The Gents/Best comp is blocked from Discogs so SOMEONE involved w/the original LP:s has to be woke/alive.

Not necessarily so. It's not blocked from Discogs as such, only from the Discogs marketplace. Anyone can tag a release as "Unofficial", and Discogs are/were attempting to block all such releases from sale in the marketplace.
 
It was not a bad year after all...

USA
- The Alarm Clocks - “No reason to complain” / “Yeah” (Awake)
- Backgrounds - “Day breaks at dawn” (Cenco)
- The Chancellors – “On tour” (D & C)
- The Litter – “Action woman” (Scotty)
- The Legends - “I’ll come again” (Fenton)
- The Wig - “Crackin’ up” (Bluescene)
- The Continentals – “I’m gone” (Gaylo)
- The Barons - “Tomorrow never ends” (Century)
- The Brogues – “I ain’t a miracle worker” (Challenge)
- Mike Jones Group – “Funny feeling” (Jet Records)
- The Shags - “Don’t press your luck” (Taurus)
- The Bucaneer's ‎- “You're Never Gonna Love Me Anymore” (Amigo)
- The Bells of Rhymny – “She’ll be back” (Dicto)
- The Bugs – “Slide” (Polaris)
- The King’s Court – “Don’t put me on” (Wheel’s 4 records)
- The Green Slime – “The Green Slime” (MGM / with pic sleeve)
- Rod & The Satalites – “She cares” (Irish)
- Chancellors ‎– “Dear John” / “5 Minus 3” (Fenton Records)
- The Waters – “Mother Samwell” (Delcrest)
- The Roads End – “Why” (Brahma)
- Burch Ray – “Love questions” (Ruff)
- The Pictorian Skiffuls – “In a while” (Skifful)
- The Bitter Ind - “Baby blue” (ACP)
- His Majesty's Coachmen - Where Are You Bound (Gemini)


UK + EUROPE + CANADA + SOUTH AMERICA + AUSTRALIA/NZ + ASIA

- Tom Thumb – “You’re gonna miss me” (La Gloria)
- Lucky Alba - “J’ai l’habitude” (Triomphe)
- The Subjects – “German measles” (SP) (with mint pic sleeve)
- Andy Forray – “Dream with me” (Decca)
- Los Nivram – “Un amor sin igual” (Regal)
- Le Teste Dure – “Era un beatnick” (CMS)
- The Mystics – “I want to walk with you” (Diamond)
- Ricky – “I’m burned” (Polydor)
- The Haunted – “Land of make believe” (Trans-World)
- I Kings – “Trovane un altro” (Durium)
- Steve Davis – “She said yeah” (Fontana)
- The Beatnicks – “Can’t be sad about it” (CNR)
- The Shane – “Lady bountiful” (Decca)
- Tages – “The one for you” (Platina)
- Zegé – “Nao some nao” (Rozenblit)
- Blue Rondos – “Baby I go for you” (PYE)
- The Cherokees – “A wondrous place” (MGM)