The Frays' unissued album

massb

Ikon Class
Joined
Apr 20, 2011
Release date: 20th august 2012

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A RARE MOD release from Acid Jazz.

In 1964 The Sneekers, released a 45 on the Columbia label Bald Headed Woman which was produced by Shel Talmy, and it was The Sneekers that The Who (as The High Numbers) had played with at the start of their run of Tuesday nights at the Marquee Club, which would become the stuff of MaximumR&B legend. In 1965 they changed their name to The Frays and recorded an LP that was never issued. However, the holy grail of British Rhythm and Blues survived on one single acetate. With the exception of the song titles the only other information on the disc labels were the words, "The Frays, Marquee Club".

At the time the recording was made The Frays were Brian Howard on vocals and harmonica, Johnny Patto on guitar, Clive Howse on bass and BarryGilford on drums. They recorded the 12-track album presented here at the Marquee Studios, which were situated behind the club. It secured a deal withDecca Records. The Frays' first release for the label was Walk On backed with the stunning group original Keep Me Covered, both of which are includedhere. The singles failed to chart, the album remained unreleased, and so the band called it a day. But had this sole Frays LP been issued at the time it would have stood shoulder to shoulder with the great British R&B albums of the era. Finally, The Frays and their album 90 Wardour Street can be appreciated as the best in British R&B.

"The holy grail of British Rhythm and Blues ".... The usual hype?
Cool frontcover anyway.
 
i only know the Frays song 'keep me covered' from the Transworld Punk vol 2 l.p. and imho it is freakin amazing, and im not a huge brit r'n'b fan either, but if their other stuff is just as good as Keep Me Covered then this l.p. could be a revelatioin
 
A RARE MOD release from Acid Jazz.

In 1964 The Sneekers, released a 45 on the Columbia label Bald Headed Woman which was produced by Shel Talmy, and it was The Sneekers that The Who (as The High Numbers) had played with at the start of their run of Tuesday nights at the Marquee Club,

Quite looking forward to this release, though the label could have researched the particulars of the Sneekers / Sneakers appearance at the Marquee with the Who with a bit more care.

As this November 21, 1964 ad for the gig reveals, the Shepherds Bush irregulars were billed as the Who. The Maximum R&B ad appeared in the November 14, 1964 issue of Melody Maker, definitively announcing that the band would henceforth do business under that name.


The final gig the band played billed as The High Numbers occurred the week prior.

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