PRESSING #8
HANNA-BARBERA 492 (late June/early July 1966)
A mtx: HB-LH-2176 D-3 HBR 492X RE 2
B mtx: HB-LH-2177 D-3 HBR 492XX RE 2
Label: No production credits.
Publishing: (A) Acquire Publ. Co. (B) Tapier Music
Pressing: Custom Matrix (Nashville)
Playtime: 2:22 (listed as 2:20)
COMMENTS pt 1: Sometime in June, the IA pressing(s) must have started
selling briskly, prompting HBR (among others) to try to lease the
master of YGMM. IA agrees verbally to sign lease w/HBR, but
stipulates that the record is not to be pressed until they see the
contract. Upon arriving in L.A.(probably the first week in July), IA
president Bill Dillard learns, probably from Lelan Rogers, that HBR
has begun pressing the record anyway despite the agreement. Dillard
threatens to sue HBR, refuses to sign contract, and leaves. (Note
that the publishing is still Acquire, a vital clue in dating this
disc BEFORE later pressings.) HBR had obtained the tape via Huey
Meaux, who had been given a copy by Gordon Bynum at an earlier
stage. Note also that when creating a new master, HBR reduced the playtime by
4 seconds through a crude fadeout. This fadeout was then repeated for all (?)
1966 pressings of the 45. HBR 492 was on sale for a very brief period of time and possibly only in Miami, Florida. It is very hard to find today.
COMMENTS pt 2: After conferring with Mike Markesich, it appears that there is only one known pressing of HBR 492; this Nashville pressing. This is apparently distinguished by the "X" on the labels. This with reference to #8 below.
COMMENTS pt 3: Minor variations on the dead wax info have been reported; there may be two different pressings (i e: HBR went through two different stampers), but the only difference between these would be the matrix number.
PRESSING #9 (existence unconfirmed)
HANNA-BARBERA 492 (late June/early July 1966)
Label: No production credits.
Publishing: Acquire Pub. Co. (both sides)
Pressing: Monarch (Los Angeles)
COMMENTS: Based on my interview with Bill Dillard, HBR 492
WAS pressed on the West Coast but apparently all of
these copies were destroyed before distribution, as nobody has a West
Coast press of this as far as we know.