Those following this thread might be forgiven for thinking that the now obsolete alchemical mixtures were nothing to write home about; but that is not the case at all as these reposts below from an old thread will reveal. If SBT is indeed so much better than TFT - and none of us here have yet had the opportunity to bear witness to the phenomenon - then bosshoss' words, no matter how eloquent or magniloquent, can do it justice.
LISTENING SESSIONS ON MY OWN HI-FI
"I applied some of the composites developed by Taylorgraphite Inc. to the power cables of my sound system. About two hours elapsed in the time it took me to remove the cables and apply pieces of composite using the rather belligerent nanotape, and replace them; therefore it is scarcely an A/B test. Nevertheless - and I stress it could be my imagination - I thought I heard improvements in every aspect of the music, most notably:
* extended lows and highs
* improved clarity and separation of instruments
* expanded sound stage front to back
* better definition, particularly on the percussion instruments
* more natural sounding vocals
* increased dynamism
* more accurate transient reproduction
* a desire to keep listening to songs for longer than is prudent
I decided to play some modern digital recordings from about 9:00pm, and within 2 seconds of hearing the first song I knew something was up. It couldn't be my imagination, because the improvement was so obvious, nay, jaw-dropping! And I've only covered about 10% of the power cords - primarily the terminations. The thought of what a comprehensive application of composites to my sound system might do scares the living daylights out of me!"
"Today I accoutrementised * the first two inches of the wiring behind the powerpoint feeding my DAC and integrated amplifier using blue, pink and green composites. The subsequent listening session revealed greater detail and separation. Decay was also given full prominence, even poignancy. For the first time I realised that No Reason to Complain is sung "no reasons to complain". * copyright 2019"
"I have in the last few days applied the mysterious alchemical substances to the integrated amplifier and source deck in a reasonably haphazard manner. (see photos - note, I didn't treat what I took to be the video card)
Listening Sessions
I noticed an improvement in high-end detail. Bass was better defined and extended with better delivery. Air was improved as was clarity. The end result was a heightened enjoyment of the music which sounded fresh and full of vitality. It was difficult to stop listening."
"Further applications of TFT on my sound system; this time to the subwoofer as well as the integrated amp have resulted in further increases in fidelity as well as an increase in power. It's as if TFT boosts the current flow."
LISTENING SESSIONS IN THE BUNKER
"TFT4 - The Swamp Thing Emerges
Bosshoss and I had a listening session last weekend and applied TFT4 to various critical areas during the first half of the evening and beyond. You don't know that you're missing detail and realism until it's added, and it was added. Mind-boggling detail, and further removal of colouration and lowering of the sound floor, which allowed for an across the board improvement, but most noticeable was the extension and accentuation of decay. Thanks to the generosity of bosshoss, I stole away in the dead of night with samples of TFT3 & 4."
"I was fortunate enough to be graced with another listening session in the bunker last night. But what else can be said after previous accolades which I've bestowed upon the Lunar System in other reviews? A tough one, except that after a good 2 hours of being blasted with '60s punk, somehow I can see what I'm typing without glasses this morning. It occurred to me at some point while analysing the sound, that sound stage had ceased to be relevant, and was in fact an artefact of inferior hi-fi's. Dimentionality has replaced sound stage. Every instrument (and vocal) fills the room, yet each one occupies a separate space. It's not so much as if the band is playing in the room (although with some recordings it's a very small stretch of the imagination to place them there), but as if you're inside the engineer's console. TFT3 is extremely revealing, and perhaps only 40% of what I'm hearing is making it into the FLACS. The full texture of every string, and of every percussive strike is manifest, along with the finest nuances, not only from the playing but also from the equipment. I was hearing 2nd and 3rd harmonics as well. Death Is a Dream had now lost its mystique - its complexity finally unravelled - but was still intensely beautiful. I asked bosshoss to play Maid of Sugar, Maid of Spice, and I knew it was wild, but it took me completely by surprise nonetheless. What TFT3 does for that song is impossible to adequately convey in words, but it was as if someone had 'strike a match, blast my face, burn off my hair'. Easily the highlight of the evening. Bosshoss and I were compelled to rate it 14 out of 10."