The 4X BOX is extremely precise and hard. That is a compliment and definitely not a criticism, but it's slightly different from what I'm used to. Once you reach a certain level of precision, hardness becomes inevitable in some recordings. Because the smaller or textured images are so real and precise they are like solid objects in the soundfield. Especially in daylight hours, where the electric supply is never as "liquid" as it seems late at night. Notice I said hardness and not harshness. It would be a huge mistake and opposite to the truth to interpret 4X precision as harshness. I made that mistake last year when I first evaluated HYPE 4X and rejected it without sufficient testing and consideration. Not to mention mental adjustment, and break-in. A costly error, though the 3X experiment was also enlightening in many ways.
* edit - just to be absolutely clear, "hard" means dynamic, realistic, super-controlled, detailed, incredible.
the picture below shows the 4X BOX prior to receiving its second coat of HYPE 4X. The soldered joints are also drilled through the copper, and the wires are inserted through the drill holes then twisted before soldering, for maximim safety. Then I loop the cord once around the legs before closing and sealing the BOX. This means that tugging on the cord will not cause any problems. A rubber safety stopper on the cord where it exits the box would be better, which I will eventually add.
The HYPE 4X in the container looks gray because of the white PVA base, but it dries black.
Latest listening session confirms that the 4XBOX is still improving by the hour.