Knight Raiders - Edgewood Studios acetate

What a great new chapter

Actually, some of us might share a different perspective.

At the age of 15, I doubt (In the presence of a cool band + matured topless women) most of us could even walk and chew gum at the same time.

To be revered so highly, you must have earned quite a positive reputation. I doubt that Bill Buford, Keith Moon or Ringo have such a cool story at age 15.
 
What a great new chapter

Actually, some of us might share a different perspective.

At the age of 15, I doubt (In the presence of a cool band + matured topless women) most of us could even walk and chew gum at the same time.

To be revered so highly, you must have earned quite a positive reputation. I doubt that Bill Buford, Keith Moon or Ringo have such a cool story at age 15.
What a nice thing to say, Mr. Garage. Brought a big smile to my face! -Steve
 
Hello Raven,

Are you still looking for information about the Knight Raiders and their demo acetate? I was a member of that band.

Steve
yes! absolutely.

I saw you have posted and liked a few comments here already, so i will read all those asap (but first i gotta eat this pasta that's almost finished cooking, ha) and then reply with a more detailed comment or direct message

Thank you so much for reaching out Steve
 
THIS RULES, thank you for sharing, it's just the kinda WILD track that gets kids hooked 60's teen rock. Y'all definitely sound like the kinda dudes who'd party all night and drive yr parents crazy ;-)
Thanks, Mr. The Raven. Happy to see you here. I only wish I had come across your original post earlier. As you can see, it’s provided me an opportunity to reflect on long forgotten memories about the Knight Raiders and document them here.

Stick around. I have a few more chapters to write. -Steve
 
Chapter IV, Part 2: Let's Make A Record.

After mastering our two new songs while at the same time performing rock & roll shows every weekend at local area clubs and schools, the day finally came to lay down some tracks and make a demo record, or acetate, as some might call it. I never did call it that until I found this fine forum and The Raven's thread asking for info on the mystery acetate. I must admit, it sounds more professional than 'demo record.' Okay, fine...acetate it is.

February 22, 1967. Finally, the big day arrived! We jumped in our cars and headed to DC to record our two original songs - Hang it Up and Love Without Words, both written by Jeff Phillips, Lead Guitar. It's possible his older brother, Garry, had something to do with these songs, which would make it Phillips & Phillips and sounds pretty cool, but I'm sticking with just Jeff, since he's the only name on the copyright.

I have to be honest, I remember almost nothing about the recording session for some reason. A total blank. Most of what I know about it comes from a journal I kept on the band, but it is very limited. Here's what I wrote:
"Well, we finally cut our record. It took [about] 4 hours. It sounded pretty good, too. We only had to do each song about 4 times each. Records were $3:35 apiece. I'm pretty tired. That's why it's so sloppy."

That's it. Not much there. As you can see, I didn't keep very good journal notes. Better than nothing, I guess.

I do remember one incident at the studio that was a bit embarrassing. Butch, the base player's father, had some connection with Edgewood Studios, being a Country Western musician, and was the one who arranged for the recording, so I suspect he felt responsible for us. At some point during the session, he went out to get some refreshments for "the boys" and came back with a tray full of snacks and drinks. But, just as he was about to enter the control room, he tripped and spilled the drinks all over the floor. (YIKES!) I remember watching him scurry about looking for some towels and quickly mopping up the mess. I felt bad for him. One minute, he's our "Brian Epstein" facilitating the recording and the next minute he's just someone's goofy dad making a mess in a recording studio. Such a weird thing to remember, I know, but that's it.

I also remember the feeling we experienced after the recording session. It was fantastic! The sun was bright and warm on our faces and the air was brisk and clean as we headed to a local White Castle (burgers served by ex-cons) to celebrate our first recording, the first of many, hopefully. I wondered to myself if this was how the Beatles felt after they recorded their first record. Just fifteen and headed for... The Top of the Pops. (Quote from the Beatles.)

I can't remember if we got copies of the demo record....errr, sorry, acetate, that day or received them later, all I know is that it was great having a real 45 rpm record of your band that you could play on a record player. How cool is that? One more comment about the rec.....acetate, and I'll move on to the next chapter.

My mother taught pre-school each morning to a bunch of local kids. The father of one of the kids was Dick Denim, DJ at WINX AM radio in Rockville, Md. My mom asked him if he would give our demo a listen. He agreed to provide feedback. Dick Denim thought the song was ok, but it sounded a bit muddled, like we were competing with each other for attention. Hey man! Fuck You! That's Rock & Roll. From that day on, we all knew him as Whatadick Denim. And what's up with that stupid name Dick Denim? You think that's cool? It ain't cool and it ain't rock & roll? Chicks are laughing at you, wanker. As you can see, we didn't much appreciate his comments.

A quick side story. Years later in the early 1980s, long after The Knight Raiders had disbanded, I found myself living with Sandy W., a popular DJ for Q107, one of the top FM rock stations in the DC area. She did the 10:00pm to 2:00am nightly show. Well, one night while she was on her way home from the station, the phone rang. It was around 2:30am. I jumped out of bed to answer the phone only to find it was Whatadick Denim calling for Sandy. A booty call, no doubt. WTF! As you can imagine, I was not very thrilled to be woken up in the middle of the night, especially by this douchebag. I shared my thoughts with him He never called again.

Okay, next chapter. The Knight Raiders reorganize, hire another manger and one member plays at a strip club. Coming soon!

PS - I've included a link below to a YT video I made of the Knight Raiders song "Hang It Up (I don't want to hear it), featuring my alter ego Puro Padre. Cheers!

LMAO, that is THEE GREATEST DESCRIPTION OF WHITE CASTLE EVER!! seriously, for about 3 years i lived on the same block as a White Castle in The Bronx and ate their almost every other day (and, no, i have no idea why i'm still alive, ha)

The Dick Denim comments are HILARIOUS, lol, oldsters tryin to be hip have long been a plague on teen scenes for as long as teen scenes have existed. Nonetheless, Leonard Schwab (the former Md. rock promoter who hipped me to your band's/record's existence) said he worked with Denim alot and he was a stand up guy. But i guess now we know that wasn't true 100% of the time.
 
BTW, did you ever publish the article on 60s garage bands you were researching last September? -Steve
i've published many many articles about the subject. i was working full time as a writer for a few years, but i have slowed down a bit with that due to circumstances beyond my control. The same circumstances also kept me from checking this message board for quite while.... til tonight, but i'm glad to be here now and am loving every word of The Knight Raiders' epic saga.
 
LMAO, that is THEE GREATEST DESCRIPTION OF WHITE CASTLE EVER!! seriously, for about 3 years i lived on the same block as a White Castle in The Bronx and ate their almost every other day (and, no, i have no idea why i'm still alive, ha)

The Dick Denim comments are HILARIOUS, lol, oldsters tryin to be hip have long been a plague on teen scenes for as long as teen scenes have existed. Nonetheless, Leonard Schwab (the former Md. rock promoter who hipped me to your band's/record's existence) said he worked with Denim alot and he was a stand up guy. But i guess now we know that wasn't true 100% of the time.

Interesting info on Dick Denim. He was quite popular among teens and pre-teens listening to the crackle of rock & roll on a transistor radio. But after the 2:30 am call to my girlfriend, he became douche denim to me. Could I be wrong? Not bloody likely!
 
Chapter VI: The Knight Raiders Make Some Ch-Ch-Changes.

I know we got a little off track in the last chapter about playing at a strip club, but it's a really good story and deserves it's own chapter in the continuing tale of the Knight Raiders. So, we will right-the-thread with this chapter about rock & roll revolving doors.

After making a demo acetate (aka, record), and hiring a new manager, I learned something that was quite disturbing - Jim Fetro, lead singer, and Gary Phillips, organist, were leaving the band! And worse yet, it was because they wanted to go to college. COLLEGE? What's that all about? Didn't we just dip our toe in the garage band rock & roll river filled with greats, such as the Hangmen, Omegas, Korsairs, and Nowhere Men? This is nuts! Why would anyone give up a chance to play rock for a college education? It makes no sense! But a lot of things made no sense to me back then. I had no intentions of going to college. Only a fool would do that, right? All I wanted to do was play in a rock & roll band and get girls...ya' know, stuff like that. (For the record, I received a BA degree in 1982 and became a CPA a few years later) ….Hail Hail Rock & Roll?

Anyway, Gary was leaving the band to attend a Christian ministry school in Lynchburg, VA (more on this in a later chapter). I guess he wanted to be a preacher or something. Jim was gonna' go to a ….well, I don't actually know where he was planning to go. I do know that he became a Montgomery County, Md. cop a few years later, so maybe he was going to attend some type of cop school. Either way, both these traitors were leaving the band at a crucial moment and we needed to make some changes, PRONTO!

At the same time, we had begun playing more Motown/soul music, which was in big demand in Washington, D.C. We still played some rock, but the venues we played mostly demanded soul music. So, we eventually became an all-soul music band. In order to do this, we needed to hire a few horn men in addition to a new singer and organist. You can't play soul without a horn section, right? After auditioning some well known and not so well known singers among the local garage band community, we selected George H. to be our lead singer. We hired Dean A. to be the organist, Don B. on Sax, and Steve N. on trumpet.

Okay, we have our new soul band together, now we need a new name to reflect the change in our music genre. What should we call ourselves? Think...think. I GOT IT! How about Simon Soul and the Knight Raiders? Everyone liked the name except George, our new singer. He would only allow himself to be called Simon Soul if I was called Art Garfunkel. Right. That ain't gonna' happen. So, we changed our name to Simon Soul and the Knight Raiders, Band and Show and got new cards printed.

In addition to the new name, we needed some snazzy outfits to update the old ones made by Jeff and Garry's mom. Time to head out to Long's Formal Wear in DC to pick out new band jackets. For George, we got an all white jacket with black lapels. For the rest of us, we selected matching blue embroidered jackets with black lapels. The new outfits included cummerbunds, bow ties and suspenders. I guess our choice of jackets made it official; we were now an all-soul music band. Okay, let's see where this goes.

We started playing lots of venues that featured soul music. A few of us quickly became known as "blue-eyed" soul brothers. That's a compliment, right? But our biggest opportunity was yet to come. We were about to open for a major international singing group! And that, my brothers and sisters, will be the subject of the next chapter.
 

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Steve are you aware of this band from Helena Montana? They put this album out themselves in 67, just about as rare as your acetate!
 

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Steve are you aware of this band from Helena Montana? They put this album out themselves in 67, just about as rare as your acetate!
Huh, I am not aware if these guys. Very interesting. Recent searches have turned up other bands named Night Raiders and Riders, but I didn’t see these guys.

I just did another search. Holly Crap! The original Night Raiders from Montana are still jamming! Wonder if they need a drummer from the 60s?
 
Chapter VII: Up On the Roof with the Drifters!

Our new manager, Greg W. hit the ground running, that's for sure. Soon after adding the Knight Raiders to his stable of garage bands, he booked us into the historic Howard Theater in Washington, D. C. We were going to open for The Drifters. That's right, the Drifters! The famous American doo-wop/R&B/soul group from the fabulous 50s, famous for songs such as Up on the Roof and Under the Boardwalk. Looking back, I now realize that this booking was the pinnacle of my time with the Knight Raiders band. Sadly, the breakup was close at hand.

Now, I have to confess, I don't fully remember where we played that night, but I'm pretty sure it was the Howard Theater. It must have been. The Howard Theater was famous for hosting great African-American acts since the early 20th century, including the Drifters on multiple occasions in the 50s and 60s. So, for purposes on this chapter, let's just say it was the Howard Theater.

At this point, I had stopped keeping a journal on our performances, so I have no written record of this night. But here's the essence of what I remember. I remember arriving at the theater and walking into the dressing room. I remember being surprised to be greeted by the Drifters who were already in the dressing room getting ready for the show. WOW! We're actually sharing a dressing room with the Drifters! THE DRIFTERS! I remember thinking how small the dressing room was. Calling it a dressing room is a bit of a stretch, however. It wasn't much bigger than a large closest and there was barely enough room for all of us to fit inside. I remember asking for autographs as the Drifters were getting into their tuxes. I remember they took the scrap of paper from my hand and scribbled their names on it. Unfortunately, I don't remember what happened to that scrap of paper. Blame it on the 60s.

Okay, we're all dressed and ready to go. We took the stage and performed for about 20 minutes before the crowd started clamoring for the main act. So, we took our bows, left the stage and joined the audience to watch the show. Man! No matter how many times you hear a band on the radio or see them on TV, there is no substitute for watching a live performance of a really good group. And the Drifters were a really good group! I remember being absolutely gobsmacked watching them perform. I remember being so impressed with their very cool and well choreographed dance moves. Fantastic! Like most on the planet back then, I knew about the Drifters and enjoyed their music, but I wouldn't say I was a fan. I was from the baby boomer generation and raised on the Beatles, so 50s doo-wop music wasn't my thing. But after that night at the Howard Theater, I became a big fan and to this day, still feel a connection whenever I hear or see the Drifters.

Now, it was around this time that we began experimenting with our own show and started referring to ourselves as Simon Soul and the Knight Raiders, Band and Show. Sounds pretty cool, eh? I originally planned to write about this here, but as usual, once I started writing, more and more memories surfaced and the next thing I knew, it was time to...um, to do something else, like take a nap. Consequently, you will have to wait until the next chapter to hear about the new and improved Simon Soul and the Knight Raiders Band and Show (think James Brown). Beware, however, the end is nigh.
 
Chapter VIII: It's Show Time - Let's Dance!

As mentioned in the last chapter, around the same time that we opened for the Drifters at the historic Howard Theater in Washington, D.C., we were thinking about adding some choreography to our show, since we were now a soul band. All the major soul groups, like the Four Tops, Temptations, Smokey Robinson and the Miracles, danced to their music, so why not Simon Soul and the Knight Raiders. Plus, after watching the Drifters perform some very cool and smooth dance moves, we knew it was time to dance to the music. So let's get started.

Our soul music set list was growing as we learned more and more songs, like - In the Midnight Hour, Mustang Sally, Higher and Higher, to name a few. But, my all-time favorite soul group back then was James Brown and the Fabulous Flames. Ah yes, James Brown. These guys were so tight and the fatback drum groove was the best. My favorite drum style/riff to play. But of all his great songs, Cold Sweat was by far my favorite...and not just because it includes the line "wanna' give the drummer some," but it didn't hurt, I guess. After all, drummers need to get some too, don't you agree?

Anyway, during our practice sessions, I would often entertain myself by imitating James Brown's famous shuffle and slide moves while the other lads worked out their parts to a James Brown song. Watching me slide around the basement floor gave Jeff, the lead guitar, an idea - why don't we incorporate Steve's groove moves into our performance of Cold Sweat. He went on to explain that during the drum solo in Cold Sweat, he could take over on drums so I could go out to center stage and do my thing. I thought, Huh! I can do that, no problem...but can you do a fine fatback groove? Well, apparently he could. Unbeknownst to me, he had been practicing on my drums between practice sessions. After giving it some thought, we all agreed to give it a go.

Here's how it worked - just after Jim, lead singer, says "Wanna' give the he drummer some" in Cold Sweat, Jeff picks up an extra pair of drum sticks and takes over on the drums. I then go out to center stage and get between the sax and horn players as we ease into a groove with a few simple side step moves. Then, like an fantastic explosion, I toss off my tux jacket, jump out in front like an unhinged whirlwind and start to dance. I shuffle slide to the left, I shuffle slide to the right, I twirl and spin about before dropping down into the bent-knee splits, then lift myself up again by pretending to pull myself up by my collar, only to start dancing all over again. Occasionally, Don the sax player would lift me up by the collar, but mostly it was me. It was pure madness, I tell you, but fun as hell! And whether or not the audience enjoyed it didn't matter to me. In that moment, I WAS James Brown and I was having a blast!

Funny story. One night, after twirling about on stage for a few minutes, I decided to leap off the stage into the crowd that had gathered to get a close-up look at the show. I landed in the splits position, immediately popped up and went into the patented James Brown one foot side shuffle. I lifted up my left leg bent at the knee, held my left arm straight out from my side, placed my right hand behind my head with my elbow pointed to the right, while I shuffled my right foot so that I moved to the right. I then reversed positions and moved to the left. After doing this a couple of time, I once again dropped into the splits before climbing back up on stage and getting behind the drums to finish the drum solo for myself. After the show, my knees and ankles were so banged up that I don't remember ever dancing in another show again. If I did, it definitely did not include the stage jump. (If you are unfamiliar with James Brown dance moves, I've included a YT link below.)

Well, that's about it for this chapter. Unless another memory pops up, the next chapter will be about the final performance of Simon Soul and the Knight Raiders, Band and Show, formerly known as the Knight Raiders. Bring tissues.

 
Chapter IX: The Last Dance.

After our big night with the fabulous Drifters, the Knight Raiders continued to perform as Simon Soul and the Knight Raiders at local area venues - teen clubs, colleges, high school dances, private parties, etc. Then, one day, we received an invitation to play a frat house at a college in Lynchburg, Virginia. Gary Phillips, who attended the college, arranged for the invitation. Remember Gary? He was one of the original Knight Raiders who left the band to become a minister, or something like that, shortly after recording our demo acetate.

Naturally, we accepted the offer and set off for Lynchburg, VA., which required an overnight stay because of the distance. As with many events that took place in the latter half of the 60s, I don't remember too much about the gig, other than it was fairly uneventful. I do remember, however, the after party that took place.

After the show, as we were packing up the equipment, a few of the fine frat fellows wanted to see what it was like to party with musicians. Remember, this is a college of ministry in the south, so their definition of "partying" was probably a wee bit different from that of hip rock musicians from the north. Anyway, a bunch of us piled into a car and started off for the lights of Lynchburg. After a few minutes, Don, the sax player, and I sparked up a doobie to get this party started. We offered our new pals a toke, but they declined. It was clear, however, they were very curious. They had never seen pot before and wanted to know what it was like, where do you get it, how do you do it and crap like that. We attempted to address their many queries, but found it too difficult. Mostly, we just laughed and asked to be taken to the local White Castle. Of course, there was no White Castle in downtown Lynchburg. If fact, there was nothing open in the entire town. WTF? What kind of college town is this? Oh yeah...a MINISTRY college town.

Well, apparently the fine fellows who drove us about town after the gig were quite impressed and immediately starting bragging about "partying" with the band; especially, the part about smoking pot. WOW! Imagine that! A band in the 60s that smokes pot! Word quickly spread throughout the campus over the weekend and by Monday had reached the highest levels of the college administration. "Oh my word! The shame of it all! Has "Reefer Madness" reached our sacred campus (see YT clip attached). Something must be done immediately to protect our kids from the scourge of marijuana." Now, for the record, I don't know if the preceding conversation actually occurred. This is just how I imagine it went among the college administrators upon discovering the band smoked pot on campus. Oh, good lord!

I'm uncertain about the timing of what happened next, but I recall showing up for practice soon after the Lynchburg gig, only to learn that practice had been cancelled...and so had the band! Apparently, the college administrators fired off a heated letter to Mrs. Phillips, band manager, advising that the Knight Raiders were no longer welcome to perform at Lynchburg College, due to the actions of a few band members who were smoking pot. Boo-F'ing-Hoo!

Interestingly enough, none of us seemed to care that much. Simon Soul and the Knight Raiders never really gelled in the same manner as the original four members of the Knight Raiders. We just sorta' drifted along from gig to gig and hired new members as others left. At the same time, I was diving deep into the 60s, if you get my drift, so my interest in the band was waning. The only concern I can remember about the split was voiced by Butch, the bass player, who wanted to know how the equipment bought with band funds would be divvied up. I really didn't care about that, to be honest. At this point, I just wanted out.

It's kinda' fitting, however, that the very reason the original band had to regroup (Garry left the band to attend Lynchburg College of Ministry) was also responsible for the band breakup. Let me explain. You see, if Garry hadn't left the band for college forcing us to reorganize, he wouldn't have invited us to play at Lynchburg College and we wouldn't have been there smoking pot with a bunch of frat lads, which led to our banishment from Lynchburg and ultimately, the breakup of the band. Does that make sense?

Sadly, we never played together again after the breakup in 1968. In fact, I don't recall ever again seeing any of my former band mates, except for Jim, the lead singer, who was then a cop in Montgomery County, Maryland, and Butch, bass guitar, during a chance encounter in Gaithersburg, Maryland. Tissue time...sniff, sniff.

Well, that's about it. This is the Story of the Knight Raiders, 1966-1968, and their one and only demo acetate. I will likely follow this with a final word epilogue on the life of a drummer after the Knight Raiders, if anyone is interested. So, don't nobody go nowheres.

 
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Thank you, Steve, for the detailed recollections. I’m sure they are more than any of us expected at the onset and they far exceeded expectations. GREAT story and thank you again for sharing the acetate recordings as well.
 
Thank you, Steve, for the detailed recollections. I’m sure they are more than any of us expected at the onset and they far exceeded expectations. GREAT story and thank you again for sharing the acetate recordings as well.
I appreciate that Mr. Greenfuzz and will have more to say about the support from members on this thread in my final post…coming soon.