Record finds of 2022

buckeyebeat

Tennalaga Class
Joined
Apr 24, 2011
I remember G45 having an end of the year roundup on favorite record finds. Post away if you want.

My best find for cheap/quality/rarity was a soul 45 from San Antonio. How it ended up within a pile of overstock used country LPs, I'll never know. I almost would believe some divine event...the Volumes

The Volumes - I've Never Been So In Love - YouTube

I'll post more down the line
 
The biggest garage/psych haul I've had:
A wild uncertainty Planet 120
Bedford Set RCA 9068
Bertolet Dore 866
Lindy Blaskey Challenge 59354
Brotherly Lovers Eskee 10004
Alan Burn Mala 510 (autographed)
Dean Carter Sound Tell International 369
Changin Times Philips 40320 DJ
Checkermates Ruff 1003
Coachmen Bear 1974
Commanches Hickory 1264
Denims Columbia AD 1
Dimensions Vibra 137
Dimensions HBR 477
Jim Doval Dot 16548
East Coast Clique Charter 16
Gregorians ABC 11225
Guilloteens Columbia 44089
Dave Lewis Jerden 785
Love Society Scepter 12223
Mark SuperK 103
Fallen Angels Laurie 3343
Genesis Mercury 72806 dj
Moby Grape Columbia 44173
Jerry & Jeff SuperK 7
Jury Port 3019 dj
Magic Mushroom Warner Brothers 5846 dj
Morticians Roulette 4702 dj
N.A.I.F. Majestic 998 dj
North Atlantic Invasion Force Mr.G 808
Racket Squad Jubilee 5591 dj
Rare Bird Probe 477
Rationals A-square 102
Rationals Cameo 455 dj
Reactors Cameo 446
Six Pents Kidd 1335
3rd Evolution Dawn 306
Alva Starr Golden Records of LA.
Thirteenth Floor Elevators IA 107(yellow/green)
Tony and Terri Mercury 72489
Turtles White Whale 237
Vacant Lot Roulette 4740
Jim Valley Jerden 814
Wild Cherries Kapp 2113 dj
William The Wild One Festival 701 dj
 
A modest year in terms of true killer 45s but one spent with filling midrange holes and the strangely satisfying task of upgrading. Here's possibly the 10 most interesting additions out of 2022's bounty:

STONEMEN: No More (Big Topper)
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Crossing another New England Teen Scene weeper off the list is a very satisfying thing indeed.

THE WHAT: Escape (Martinack)
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Similarly nice was getting this super clean “Relative Distance” fave in a swap. According to recent sales // offerings it's a case for the g45 “quantity find” section.

BERKLEY FIVE: You're Gonna Cry (Boss)
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Worthy of the label's name, if only for the succession of screams to close this moody gem.

CICADELICS: We're Gonna Love This Way (Psychidelic)
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Dislexic label would be reason enough to get one, but this 1st generation TX classic provides acid-punk of an higher echelon.

DOVERS: The Third Eye (Miramar)
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Very welcome private purchase of a NM copy of their Byrds inspiration. Now if someone could help me to a Miramar press of “I Could Be Happy” it would complete the four-course dover menue.

KARE TAKERS: Have You Seen My Baby (Wam)
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Well behaved lead guitar over a drummer on the verge of eruption gives this one an undeniable spicyness.

LITTLE PHIL & THE NIGHTSHADOWS: 60 Second Swinger (Gayle)
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The more you stare at the sleeve the weirder it becomes. The RE loses the color intensity but the light blue in an OG highlights the irritating look of the quitet – and their pet. The music's quite decent, too.

ONE WAY STREETS: Peanut Butter (Sunrise)
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No words needed, a yardstick for the arte povera of crude Teen Beat.

SPADES: I'm Alright (Ace)
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To my ears a perfect double sider: Stones rip off stomper with great break b/w moody brooding.

ILLUSIONS: Now That It's Over (Audio Unlimited)
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Cool singer with a good scream, great guitar, but it's the drummer who steals the show here. Did he have more than 5 lessons before the recording? You can imagine parts of his kit rolling around in the studio during his drumrolls. Uncontrolled energy - isn't that what it's all about?
 
I suppose my best year since lockdown began, thanks in a huge part to Ace records giving me a full time job, (first one for thirty bloody years). Nae finds in the wild, but happy internet purchases.

Christopher and the Souls - Diamonds, Rats, and Gum

Fugitives - Time is set for now

It's Us - Don't Want Your Lovin'

Merlynn Tree - Look in your mirror

New Fugitives - She's my baby (upgrade)

Paul Martin - lt happened

Rock Shop - Is That Your Halo

Satans - Makin' Deals

The Celtics - And She'll Cry

Amoeba - Lost Love

The Five Canadians - Never alone

The Smoke - No More Now

Tropics - You better move

Brian Diamond & The Cutters - Shout, Shake & Go!

Destinys Children - For me

General Assembly - Sensitive Mind

Hubb Kapp And The Wheels ‎– I'm Happy Too

Innkeepers - Wanted

Jack Bedient & the Chessmen - Glimmer Sunshine

King Beezz - I Gotta Move

Lord And The Flies - Echoes

Mike Jones Group - Funny Feeling

Morticians - It's Gonna Take A While

Premiers - Get on this plane

The Checkmates - Talk To Me

Suzi Jane Hokom - Need all the help I can get

The Litter - Action Woman

The Magic Plants - I'm A Nothing

The Pleazers - Is It Over Baby

The Tormentors - She's Gone

Thee Sixpence - Long days care

We Who Are - Last Trip

The Big Town Boys - August 32nd

Painted Faces - Anxious Color (white label promo with no usual pressing flaw)

The Checkerlads - Shake Yourself Down

The Most - Sea Of Misery

The Moving Sidewalks - 99th Floor
 
The first year since I've been on this forum that I found nothing worth reporting from Indonesia, Malaysia or Singapore. The records are out there but the sellers seem to think that every record is worth $500 +. They can't sell them though and the same records are sitting there year after year. Meanwhile, postage costs are also absurd.

Fortunately, I did find some good things locally.

Australia

Tony Barber – Someday … Now!, LP. Spin, EL-31,882
I got the Calendar version last year. Glad to have the original Spin release as well.

Barry Gibb and the Bee Gees – Wine And Women/ Follow The Wind. Leedon, LK 1070
Released in 1965 with both songs written by Barry Gibb. The A-side is a strong offering by these still very young brothers. Not a garage stomper by any means but a well-crafted and enjoyable beat-pop song. The B-side is more of a folk-rock sort of thing.

Barry Davies – I Don’t Like To Be Alone/ Love And Money. His Master’s Voice, EA 4652
Cool double ‘A’ side from 1964 with both songs written by Barry Gibb. To my ears, ‘I Don’t Like To Be Alone’ has a Beatlesque ring to it, whereas ‘Love And Money’ has a tougher beat quality. Both top songs, nevertheless.

Jade Hurley – I’m Ashamed Of You/ Gold And Silver. His Master’s Voice, EA 4797
I was surprised to see that the revised Kommotion discography included a single by this old country rock singer, but it turns out that some of his earlier original material wasn’t too bad. The self-penned ‘I’m Ashamed Of You’ is the side you want to hear

Russ Kruger – Keep Me Satisfied/ Tell The Truth. Sunshine, QK 1495
Killer A-side. B-side is so-so. Excellent uncredited backing by The Atlantics.

MPD Limited – No Regrets/ I Won’t Be Back. Go!!, G 5027
MPD Limited – Absence Makes The Heart Grow Fonder/ I Am What I Am. Go!!, G 5031
MPD Limited – Self-titled, EP. Go!!, GEP 1007
Two great singles. All songs are good, but it’s a close thing between ‘I Am What I Am’ and ‘No Regrets’ as their toughest beat tune on the singles. The songs on the EP are also good, but the EP-only track ‘Her Favourite Song’ is the standout. This is the second of MPD Limited’s two EPS. This one has the cover photograph of the group mounted on camels in front of the Great Pyramid and the Sphinx. Don’t know what it means or how it came about, but it looks great

Johnny Rebb – The Girl Can’t Help It/ Pretty Thing. His Master’s Voice, EA 4691
I expected the Bo Diddley cover on the B-side would be pretty good, but it’s better than that, it’s great. Meanwhile, I didn’t have such high hopes for the A-side, originally made famous by Little Richard. However, the driving bass and the rave up in the middle of this song turn it into a different beast altogether. The Atlantics are superb once again.

The Spinning Wheels – Bo Diddley/ Creepy John. His Master’s Voice, EA 4682
More Bo Diddley and another cool bluesy R n B track. Good harmonica

Various Artists – The Bowl Show starring Normie Rowe, Tony Worsley, Peter Doyle, The Fabulous Blue Jays, The Playboys, Ricky and Tammy, Marcie Jones, Toni McCann. Calendar, R66-66
Fantastic collection originally released on Sunshine in 1965 and reissued the following year on the budget Calendar label, which is my copy. So many goods songs on this LP, but what swung it for me were the two tracks by Toni McCann, ‘My Baby’ and ‘No’. In my opinion, she was one of the toughest female singers of the era. I had more-or-less despaired of ever getting affordable original release copies of her singles, so this contemporaneous compilation is not a bad substitute. I have no idea where the name ‘Bowl Show’ comes from as there is no explanation on the cover. Myer Music Bowl in Melbourne perhaps?

New Zealand

La De Das – On Top Of The World/ Hey Girl. Phillips, PF 338090
Blasting version of the John Mayall original on the A-side and a Small Faces cover on the B-side. Both also found on the La De Das' first LP

US

Marilyn Mattson – You Cheated/ He Means So Much To Me. Allied A-101/A102
A-side can be ignored, but the B-side is top grade garage-pop. I first heard it on one of the Girls In The Garage comps and have been trying to get a copy for years. A certain US seller must have had a 20 count + box of this single, as they seemed to put it up for auction every month or so for a couple of years. Always sold for a price out of my reach. Ended up finding it locally
 
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Rhythm Boy points out the inoperative cancer in the world of record collecting - the overpriced (and, in most cases, equally over-graded) offerings of 45s by a seller. Motives are either clueless, greed-driven, or a combination of both in varying degrees.

The recent d**k move by a "collector" on discogs, posting 45s he has but does not want to sell; hence, $6K and up ransom price tags. The fact that discogs does not let a user block a seller when perusing 45s makes this most annoying.....Of course, this inane yet laughable pricing causes a rippling effect for anyone who wants to sell one of those 45s and must price it near to these ridiculous offerings, for want of getting ripped off (exactly what another seller relayed to me). I've never understood people who post 45s for sale, the prices are too high, and yet the person remains married to his asking price. If you REALLY want to sell something that sits unsold at your original asking price, lower the price by more than a measly 10%, or better yet - or auction it. The excuse "I have X amount into it" = you over-paid if you cannot sell it for the price paid, let alone at a profit.

This is one reason I've backed down considerably from the 45 acquistions game over the past couple of years...that, and the comforting fact that I have a high percentage (85%) of the collectible U.S. garage 45s by now, prices paid by me for hi-grades even recently were far, far less than what newbies or the dj sect are fighting over & coughing up for beaters.

My interest now is picking up fairly priced remaining wants via private deals from respected sellers who don't flaunt wares on the net or social media, and 45s I have been seeking for many years but are thankfully off the radar of most collectors of the genre. Here is an example - this was a give-a-way priced, very scarce 45 recently snagged as the year closed. I'm sure the Ohio experts know more than thou, but I would think there cannot be too many of these floating around

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Couldn't agree with mike more,you have to be patient! These people online are impatient idiots for the most part.i dont have the connections privately that mike does and have to deal online but believe me I am very careful.if you are not you are cutting you're own throat.paying 3000 for a 500.00 45,you will never be able to get your money back when you decide to let it go.also these consignment sellers make it even worse on another level because people can bid their own 45s up into the hemisphere or have somebody do it for them for what I think is a fake value.i pay and sometimes overpay but I will be damned if I pay what I dont think is close to what a record is worth!!!
 
When I bid on an auction, my max bid is the most I'm willing to pay. Whatever some clubber or civilian wants to pay, or shill pushes it to beyond that, won't change what I will do or what I'll pay for a particular record. And if it means I'll never get a copy, I just go to my mantra, "it's only a record".
I have put in crazy bids on certain records, but again, it was my choice and my feeling it was worth that price to me. But I'll never think a $500 record is worth $3000 (unless it really is, in which case, back to the mantra).
 
Perhaps what not everyone is taking into account is that with inflation over the last two years - last couple of decades really, but last few years especially - the relative value of the dollar is about half what it was in 2019 (I don't believe for a second the official inflation figures). So if you sell a record for the same dollar figure that you paid for it a few years ago or more, you're actually making a big loss.