Frantic
G45 Legend
- Joined
- Apr 20, 2011
Wouldn't that be the LATTER HALF of the mid-60s? :confused:wthOr the end of the mid-60s.
Wouldn't that be the LATTER HALF of the mid-60s? :confused:wthOr the end of the mid-60s.
Wouldn't that be the LATTER HALF of the mid-60s? :confused:wth
I would think that Cream came along too late in the day to be considered a British Invasion band. They were not in the 1st wave.Cream was considered part of the British Invasion in the mid-60s, right?
I would think that Cream came along too late in the day to be considered a British Invasion band. They were not in the 1st wave.
http://en.wikipedia.org/wiki/List_of_British_Invasion_artists
I'm just saying that CREAM is not part of the British Invasion. Cream's 1st LP was released in Jan. 1967 in the U.S. Too late for the British Invasion. That's all I'm saying.No, but they were in the defined mid-60s time range. They came along to late to influence the early "wave", but they are either in the mid-60s scope and British Invasion or they weren't. So far, this conversation has included them in on both parts. Or are you saying that the time frames don't really count? And, that there is no real beginning or end to what is considered mid-60s?
Even if it was released months earlier, they still wouldn't be part of the British Invasion. In other words...THE FIRST WAVE.Well, OK, their music hit the States in January 67. But 12 hours later than Aus., so I'm talking about those 12 hours : )
Once again....go read BossHoss's post. The breakdown is fantabulous!Sorry you took it that way. I said I agreed that they were not. I was asking the other stuff because I just want to know how it all fits. I am not a historian of the era, just a player in a band that played a small part of something. Didn't you have to learn how it all came together. I only want to understand things you all are talking about. I thought the best way was to ask. So sorry, I will ask no more.
I didn't mean it was the 2nd wave of the British Invasion, just that it was a 2nd wave or 2nd generation of British bands to conquer the U. S. Unless they invaded America from late '63 to early '66 I don't think they qualify to be part of the British Invasion.The 2nd wave of British Invasion- I never heard of that, but it makes total sense to me.
If you see the dropped jaws in the audience at Monterrey watching The Who and Jimi Hendrix, you know what the 2nd Invasion was all about...
I know what you meant. The meaning and timeframe of "British Invasion" is clear. "2nd wave of British bands to conquer the US" is still a strong expression and applicable to the heavy impact of Hendrix and the Who in Monterrey.I didn't mean it was the 2nd wave of the British Invasion, just that it was a 2nd wave or 2nd generation of British bands to conquer the U. S. Unless they invaded America from late '63 to early '66 I don't think they qualify to be part of the British Invasion.
I was in a band in 1973 when I was an undergrad student with a 60s-style instrumental line-up (two guitars/bass/drums/harmonica).Rock historians have always lied. Rolling Stone lied. Lester Bangs was a liar. Greg Shaw - liar. Rock and roll is myth fantasy and fable (and I don't mean the prog / Roger Dean artwork / D&D stuff).
Bands made more money in the 1970s than the 1960s, at least until disco ruled. During the 1970s there were plenty of rock bands that played bars. The main difference that instead of teen (13-18) most places were 18 over as drinking age was 18. Many people made decent livings - as 'adults' living on their own, not teens living with parents - playing clubs. Records were not as relevant. Instead of DIY bands wanted to be signed to a big label and become rock stars for real. Punk brought back DIY in a big way but it was not gone from '70 to '77, as bands did release 45s and LPs on their own (a lot more LPs in the 70s than 60s). Some of these records got airplay on local radio, I heard several Cleveland/NE Ohio records on the radio back then, but not all of them.
A typical band in 1973 was not a lot different than 1966. You made money playing live, you played 2-3 sets a night, you played hits of the day mixed with some older songs. Playing 4-5 nights a week was possible for the top bands. Playing danceable stuff was relevant but not as much as the mid 60s. Bands had identities just like in the 1960s, there were Rolling Stones types, Led Zeppelin types, Who types, etc. Around 1974 there were Aerosmith and Kiss types. I'm not bothering to include the numerous prog and country rock bands.