Goldmine index / interesting ads or articles

chas_kit

G45 Legend
Joined
Apr 25, 2011
Location
Hudson Valley, NY
I just acquired a huge run of Goldmine and Discoveries from late 1988 on. I can't believe how small and indistinct the type is on some of those ads!

Is there an index of articles for Goldmine out there? I'm finding some interesting articles by leafing through, but it would be great to have an index to consult.

Also, whose ads did people follow in the late '80s and 90s?
 
Goldmine published an annual that included a yearly index. Discoveries may have made something similar but I never bought any of them.

I'm not aware of an comprehensive multi-year index for either one.
I have all the Discoveries issues and nearly every Goldmine from the start until the mid 1990s. I keep hoping someone would create a microfilm or on-line version. If someone wants to take my issues and do it - go right ahead.

The ads were worse in the early issues - many of them were hand written. The want ads are often as interesting as the sales ads, asking for stuff like the Kings Ransom LP or International Artists 45s that never existed. The articles in Goldmine, especially when Rick Whitesell was the editor, have a lot of great info from interviews with people who have long since passed away.
 
Thanks, I'll look out for the annuals. I think Whitesell's time was before the series I have started.

Whose ads were the most interesting in the late '80s or early '90s on?
 
I was never a paid subscriber to either mag, but I bought them frequently. Discoveries mag I had almost every issue (it started in late 1988). I've since discarded almost all of them, except for the Discoveries issues where my column was featured, and a Goldmine issue or two (the one with the Garage Sale contest band profiles, the Seeds, the Music Machine...).

The issues that would be of interest to me are pre-1979 Goldmine mags, just to peruse the auction listings. When I became aware of the mag in 1977, I bought a few issues, but never kept them. In 1979, Goldmine tried to make a smaller mag without auction listings available for newsstand buyers, while the regular paid subscribers would also receive the pull-out newsprint auction / set sale listings. This change did not catch on, so the mag eventually reverted back to the normal format.

As George noted, the Rick Whitesell editor era Goldmine has some neat articles, but it was heavily into doo-wop and mainstream 50s / 60s stars. Feature articles in general were not too interesting, as most were penned by fans who did not write well enough to venture beyond basic encyclopedia type generalities. When Jeff Tamarkin took over after Whitesell's death, the quality of the articles improved 1000%. Discoveries magazine adopted the old Goldmine era philosophy as old timers whined complained that Goldmine was getting "too modern" by including post Beatles era musicians and performers. Greg Shaw was an original founder of Discoveries, and wrote some interesting columns until he bailed (he told me it was too much work to keep up with a monthly schedule).

Some of the regular sellers of odd / obscure 45s from those days: William P Davis, originally from Missouri, had access to lots of unplayed radio station stock from the 1960s. I bid on and won the Five Canadians "Writing On The Wall", the Primates "Don't Press Your Luck" from him among others.
Charlotte Tucson, from Michigan, also had cool rock & soul 45s, mostly from old warehouse stock. She often had quantity. Hemp's Hits (Aris Hampers, from the Soulbenders) ran lists with his old radio station inventory, he continues to sell the remnants on ebay. George beat me on a copy of the Vikings 45 ""I Need Your Lovin'" from long-time Ohio based dealer Dale Marshund. Paul Grenyo, from Arizona, also had cool stuff - he broke down each auction list by genre. I think he still sells in Goldmine, but I've not seen an issue in years.

Some of the best garage 45s were often buried in lists of dreck; you had to carefully go thru every one, or you'd miss out. The tedious ads were the handwritten ones, or the ones where the person was a lousy typist (the late John Hilliyard from Los Angeles comes to mind).
 
Goldmine would give you a headache reading it. Many dealers didn't categorize so you would have to comb through the small type to find records. And many were mis-categorized like the Four of Us-You Gonna Be Mine listed as an instrumental because of the B-side. In the early days there was no phone bidding on auctions. You just mailed your bids off on a post card and hoped for the best.
Lynn's Records had good records. She had quantity on some lower end garage 45s (Poverty 5, HM Subjects, Beckett Quintette, X-Cellents) I suspect that everyone who placed a bid won a copy. I probably bought about a dozen copies of each in the $2-3 range just to use for trade.
Mark Crocker always had cheap set sale 45s that he must have had small quantities of. I remember getting records like the Soup Greens and the Endd for under $10 and just missing out on the Dovers-She's Not Just Anybody for $12.
 
I happened to have a few vintage Goldmines at hand that I looked through last night so that prompted me to write a more detailed history/appraisal of GM.

The original (or at least, starting early on) editor was Rick Whitesell, c. 1976. The early issues were pretty much similar to those found in doowop or rockabilly fanzines at the time. Over time though the writers and writing and scholarship improved, including Jeff Tamarkin, Bob Dalley, George Moonogian (sp?) (early blues/R&B expert) and others. One of the most interesting aspects in hindsight of the early GMs (1979-1981 era) was the two columns devoted to punk/new wave/independent rock releases of the time. There was also articles on 60s bands like the Ugly Ducklings, which is how I 'discovered' them.
Whitesell had one of the terrible degenerative diseases (ALS? Huntingtons?) and died in 1981, which is when Jeff Tamarkin took over as editor. GM was published monthly and the issues at the time were huge, 120+ pages, 15-20 articles of varying length, 50 or so pages of 'unit space' ads - a unit space was a 1/9 of page. The content was pretty much the same until late 1983 or 1984 when GM was bought by Krause Publications in Iowa. Before, GM had been published out of suburban Detroit by a group whose primary product was pro wrestling magazines (the old school stuff, way before WWF/WWE). Krause was in the antique / collectible publication business. They made some major changes, including the move from monthly to biweekly. They also changed the editorial policy quite a bit, pushing jazz and classical into the mix. This was a disaster and less than year or so later, dropped most all of that and returned to the 'original' format. By this time they were much more into Baby Boomer era music (demographically, makes sense).
In 1984 or 1985, some of the old Goldmine people from the Detroit operation started RPM, which was a much smaller bimonthly magazine that looked a lot like the early GMs. RPM had the original appearance of a regular Greg Shaw column about 60s garage. RPM tried for a couple years but only made it to 13 (I think) issues.
Discoveries came about in 1987 - started by people who were not happy about GM's tilt toward 60s (and later) rock, amd emphasis on large volume big ad 'corporate' sellers. Discoveries attempted to look like a c. 1982 Goldmine and they were pretty successful at it. A lot of the old GM sellers moved to Discoveries (mainly because it was cheaper, and with a monthly schedule, they could post ads in every issue without being overwhelmed. Goldmine continued to move in a more contemporary direction while Discoveries stayed pretty much the same.
I don't remember when Disocoveries folded, 1997? They probably quit at the right time because Ebay started around the same time. I hardly ever read Goldmine, even though I kept my subscription until 2003 or so, as the articles were either the 10th rehash of some 1960s/70s artist or some contemporary Americana singer from Austin. The ads were pretty much mostly big volume dealers selling reissues or boring dreck.