Uptight Tonight Comp on Big Beat

bosshoss

G45 Legend
Staff member
Joined
Apr 12, 2011
Location
Sydney, Australia
I'm often listening lately to the Uptight Tonight comp on Big Beat, which has amazing songs and super-amazing sound quality. Obviously most of the tracks are from master tapes. I'm particularly wondering about the Sonics "He's Waitin'" which has mind-blowing bass and clarity unlike any of their vinyl releases. My question is - is there an equally spectacular sounding release featuring the rest of the Sonics Boom LP?
 
I'm often listening lately to the Uptight Tonight comp on Big Beat, which has amazing songs and super-amazing sound quality. Obviously most of the tracks are from master tapes. I'm particularly wondering about the Sonics "He's Waitin'" which has mind-blowing bass and clarity unlike any of their vinyl releases. My question is - is there an equally spectacular sounding release featuring the rest of the Sonics Boom LP?
I'll get ahold of Alec and get back to you.
 
Alec says:
Check out the remastered Psycho-Sonic compilation (reddish/brown cover art) on Big Beat. There is no album master tape for Boom but I did find the session master for He’s Waitin’ amongst the late, great Buck Ormsby’s stash.
Hence the clarity Mark notes - but there is another reason. On Boom, He’s Waitin’ (and Don’t Be Afraid Of The Dark) were recorded at Kearney Barton’s esteemed facility in Seattle (if memory serves, Don’t is actually an outtake from the Here Are The Sonics sessions in the spring of 1965). Everything else on the album was taped at Wiley/Griffith in Tacoma, a studio notable for for its dense, grungy qualities, as heard on Boom, the Wailers' Out Of Our Tree album, the Daily Flash’s Jack Of Diamonds and a couple of other iconic NW discs. It was a true egg-boxes-on-the-wall place with a uniquely lo-fi sound, and you’d find it difficult if not possible to get the same range of fidelity out of those recordings as is to be found on Kearney’s stuff (most of their day-to-day business tended to be country). Some Etiquette tapes showed up recently, no Sonics unfortunately but there was the mono master for the Out Of Our Tree album, which doesn’t sound much better fidelity-wise than the vinyl.
:tiphat:
 
Alec says:
Check out the remastered Psycho-Sonic compilation (reddish/brown cover art) on Big Beat. There is no album master tape for Boom but I did find the session master for He’s Waitin’ amongst the late, great Buck Ormsby’s stash.
Hence the clarity Mark notes - but there is another reason. On Boom, He’s Waitin’ (and Don’t Be Afraid Of The Dark) were recorded at Kearney Barton’s esteemed facility in Seattle (if memory serves, Don’t is actually an outtake from the Here Are The Sonics sessions in the spring of 1965). Everything else on the album was taped at Wiley/Griffith in Tacoma, a studio notable for for its dense, grungy qualities, as heard on Boom, the Wailers' Out Of Our Tree album, the Daily Flash’s Jack Of Diamonds and a couple of other iconic NW discs. It was a true egg-boxes-on-the-wall place with a uniquely lo-fi sound, and you’d find it difficult if not possible to get the same range of fidelity out of those recordings as is to be found on Kearney’s stuff (most of their day-to-day business tended to be country). Some Etiquette tapes showed up recently, no Sonics unfortunately but there was the mono master for the Out Of Our Tree album, which doesn’t sound much better fidelity-wise than the vinyl.
:tiphat:

That is a killer comp - if anyone here doesn't have it, order one up.
 
Thank you Joey and Alec. That's a complete answer to my question and it's most appreciated.
The mastertape version of He's Waiting' gives an amazing insight into the raw power of the Sonics. All their records have that power, but this time it's laid bare.