I made the mistake on purpose.I think you meant "hundreds of times"
Sorry, I couldn't resist.

I made the mistake on purpose.I think you meant "hundreds of times"
Sorry, I couldn't resist.

Soundog savoir faire!
Thank you. It's been way too long since we've crossed paths..When we get up your way we will give it our best shot. You and Susan are always welcome when you decide to roll through TN in search of BBQ and records!As ever a 24/7 open invite extends for you & Sandy for a real N.E. style top o' the catch knees up...
Fake acetates are a very murky pond of long standing. Personally, I have always suspected any acetate of a previously issued record, whether it appeared on 45 or on an album.The writing on the label looks a lot like the writing on those fake Emidisc acetates from the UK. It looks like UK handwriting for sure. The Raynard logo is a multiple rubber stamp on a plain brown sleeve.
The writing on the label looks a lot like the writing on those fake Emidisc acetates from the UK. It looks like UK handwriting for sure. The Raynard logo is a multiple rubber stamp on a plain brown sleeve.
the question that springs to mind is - I've seen small centre acetates for 10" and 12", but did they exist back in the day for 45s? It just doesn't look right. But someone parted with £259 to own it.
Maybe that's the guy on MusicStack who offers to find records through his "network of dealers" and burn them to CDR...for an exorbitant price.wow, this is a great new idea: take a rare recording, burn it to cd-r, and, presto, you have a super rare "one known copy cd-r" you can price accordingly for 500$.
http://www.ebay.com/itm/RARE-60s-R-B-Garage-ALI-BABA-REVUE-Let-It-All-Hang-Out-CD-Only-Known-Copy-/181672988877?pt=LH_DefaultDomain_0&hash=item2a4c8dd0cd