Thank you for the analysis, Greg.
However, I must once again point out:
TBM was not designed to be just for "garage" record collectors who want original pressings. This is readily apparent if you checked out the website showcasing the book.
TBM is meant to thee "field" guide for ANYONE who wants to learn about the music, as I note, attempting to answer the who, what where, when and why. An overall guide type book relating to knowledge levels of everyone from the neophyte to the expert like TBM has been a reference must for a LONG time. You might be surprised to learn that many collectors who spend time at G45 have not bought the book as yet. I'll bet I've only sold about 30 books to G45 forum members.
Sales have been good for the one month it has been out, and yes, many people who are not collectors - those who buy comps, as well as people who are curious to learn that there was a lot going on at the regional and local music levels have bought the book. Interest from archival organizations and libraries have only started to come forth.
Readers here should understand that no matter what someone manages to accomplish, there will be a segment of the buying audience who will find the item lacking, or not what they desire to see. I did not have the capability to produce the book of your dreams. It would still be in working mode if all compiled was an A to Z discography. I know some folks want a Fuzz Acid & Flowers type book, but no way am I ever going to be part and parcel of a book that must be revised and repacked for "gotta buy a new edition again?" sales in twelve or more editions.
If it only could be a perfect, sunshine-y world...I could have instantaneous access to every known recording, a willing sect of contributors (not every group desired to have their history accounted for and photograph included) a wealthy benefactor who could write a blank check for the travel, expenses, research and print run. But we all have to face reality tempered with realistic expectations, and set aside lofty dreams.
